3/15/2024 0 Comments Fórmula cinemáticaIf it becomes more expensive for studios like Marvel to do last-minute digital patches, that might spur the industry to be less improvisational about its storylines. In September, Marvel’s in-house VFX artists voted to unionize. And that Marvel attitude towards fixing movies late in the process–just lean on the CGI artists–has pervaded Hollywood and made the working life of many digital specialists into a miserable grind. One of the sticking points in the recently settled Screen Actors Guild strike was that actors want to be able to control their own digital representations and not be turned into pixel puppets. This is good, because the next front of Hollywood labor conflict is already opening up, and it’s all about digital labor. Adopting traditional methods might help sharpen Marvel’s storytelling–and it brings the studio in accord with the provisions of the recently negotiated deal between the WGA and the Alliance of Motion Picture and Television Producers. Studio head Feige has already made some painful decisions: halfway through the shoot of the 18-episode TV series Daredevil: Born Again, he decided that the show wasn’t working, dismissed the head writers, and went back to the drawing board.Īfter years of eschewing TV conventions like pilots and showrunners, Marvel has recognized that there was a reason the industry used them. The strikes this year, in tandem with the end of the streaming wars, gave Marvel Studios a much-needed pause and a chance to sort through the glut of TV shows it had developed for Disney Plus. A huge chunk of that money went to reshoots and last-minute CGI patches that didn’t save the show from witheringly negative viewer reactions. Which is pretty typical for Marvel projects–the climax of a Marvel movie is just iterated and iterated until the very end.”īy 2023, that narrative vagueness was costing Marvel Studios some serious money: the six-part Secret Invasion series cost over $200 million, more than either Barbie or Oppenheimer. Jac Schaeffer, the head writer of WandaVision, told us that on that 2021 Disney Plus series, “The finale was just this ongoing question. Over the years, having the freedom to change anything at the last minute devolved into storytelling that felt mushy because the writers needed to keep their options open in case the studio asked for a sudden revision to the ending (probably because of the corporate imperative to set up an entirely different project). The creeping nature of narrative vagueness Three: Up against a deadline, CGI was the best solution for almost any problem.Īpplied, those principles led to crushing workloads for the studio’s digital artists (many subcontracted through VFX houses) and help explain the unsatisfying nature of some of Marvel’s recent movies and TV shows. Two: Special effects worked best when they were reflections of character, not just expensive light shows. One: long-planned ideas could be ruthlessly scrapped at any point if a better option presented itself. When director Jon Favreau and producer Kevin Feige implemented that last-minute solution, they unwittingly established three core principles of Marvel Studios.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |